Season’s greetings to all of you editors, mixers, engineers, recordists, professionals, prosumers, students, freelancers, and everyone in between. Whether you’re aiming to dazzle a certain individual in your life who is passionate about sound/post production, or if you’re a professional in the sound industry finding it difficult to put together your holiday wish list, worry not, we’ve got you sorted!
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Focusrite recently wrote an article about Boom Box Post and our integration of the Focusrite Red and Red Net system in our studio. The Focusrite Red Net system is the backbone of our mix facility, allowing us to transition from Dolby Atmos to 5.1 surround and stereo, all within the controller.
Check out the article now on the Focusrite website.
If you would like to learn more about how our Dolby Atmos mix stages were built from the ground up, be sure to visit our friends at Westlake Pro to read their article or check out our past blog post, Building a Dolby Atmos Mix Stage.
Happy Holidays to all of you editors, mixers, engineers, recordists, professionals, prosumers, students, freelancers, and everyone in between. Whether you want to impress a special sound/post production person in your life or you work in the sound world and are having trouble filling out your holiday wish list we have you covered!
Build your library! We say it all the time in blog posts, and it's advice we always give to our interns, but this tip often raises the question: What do I buy? There are a ton of amazing commercial libraries out there to purchase. If you’re overwhelmed and unsure of what to buy, this blog post is for you!
Without question, location recording is the most difficult part of the process of making sound effects. Selecting the right location is just as important as what you will record there. Environments shape your sound. Be sure to select a location with your ears and not with your eyes.
Here are a few things to consider when planning your next field recording: