The Boom Box Post blog provides insights into the creative sound design process of Boom Box Post's owners and employees.
Viewing entries tagged
editor
As a sound effects editor, you are likely part of a team of editors who eventually hand their work off to a re-recording mixer. It’s important to understand that the way that you organize your work is often just as important to your mixer and the final end product as is your creative quality.
2020 was a year unlike any other. So much so that it was hard to put into words how we felt about it. For that reason, at the end of the year I asked our Boom Box Post team to pick a sound effect that they felt best described 2020. We had so much fun with that post that we thought we would do it again this year. So again I asked the BBP team, “If 2021 was a sound effect, what would it be?”
It can be both an exciting and terrifying feeling being a new editor. On one hand, you are thrilled to start editing on a project! On the other hand, you don’t know where to begin…I interviewed a few editors on our team who know exactly how you’re feeling and can give you some insight on their editorial approach.
My main reason in writing this post is to give some insight to college students/new graduates on what being an assistant editor looks like because I was in that spot not too long ago. If you don’t fall into this category, well, I hope you still want to know what my job is like! After interning at Boom Box in the summer of 2018, I knew that I wanted to work here. I was so excited to take over the roll of the person who was supervising me as an intern! I’ve now been in this position for over a year and feel like I can give you all there is to know about my job.
I spent about five years working from home as a sound editor. In terms of life/work balance, they were some of the best years of my career. But thriving as a work from home freelancer isn’t easy. I’d like to share with you some of the best strategies and tips that helped me make the best of it.
