By the beginning of this year, Boom Box Post had fully moved into our new facility with three Atmos mix stages, three 5.1 mix suites, eight sound design/editorial suites, and full client amenities. So, when Women’s Audio Mission reached out to revisit the idea of having an in-person workshop focused on sound for television and film that would meet the needs of their Los Angeles membership base, we had the perfect space to accommodate it.
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WAM
By the beginning of this year, Boom Box Post had fully moved into our new facility with three Atmos mix stages, three 5.1 mix suites, eight sound design/editorial suites, and full client amenities. So, when Women’s Audio Mission reached out to revisit the idea of having an in-person workshop focused on sound for television and film that would meet the needs of their Los Angeles membership base, we had the perfect space to accommodate it.
I was recently asked about some of the information in my Top 10 Internet Resources for Sound Designers post, and looking back, I realized that this was a really great post that deserved updating! The original was written in 2015, and although some of the suggestions are still valid, many of them have disappeared (silent tear shed here for Designing Sound) or been surpassed by new online resources. Who knew so much could change in five and half years on the internet??? (That’s a joke. Five and a half years is like 100 years in terms of the internet.)
At the very beginning of 2020, Women’s Audio Mission reached out to me to ask if Boom Box Post would be interested in contributing to their upcoming Los Angeles popup by giving a workshop on sound design for television and film. We decided to put together a small event in May for 15-30 people which would introduce the audience to sound design and include some hands-on interactive components.
And then… COVID hit and it seemed that this plan to collaborate would need to be put off indefinitely due to travel, health, and safety concerns.
But, WAM being the incredible resource that it is for so many people in our industry, they quickly pivoted and created WAM Everywhere Live Classes, a series of free virtual workshops “to keep our community connected, supported, and learning during this time of social distancing and beyond.”
We’ve all heard the old adage: be the change you want to see in the world. Jeff and I take this responsibility extremely seriously. We may only be one small studio in Burbank, CA, but we are doing our best to aid in the visibility of women as smart, capable, and creative audio professionals. We sleep well at night knowing that we are giving opportunities to deserving individuals and we’re doing it in an environment of respect and appreciation.
So you can see that taking part of WAMCon was a natural extension of our company ethos. We could not be more proud that they asked us to be part of it.
Last September, I stumbled upon an IndieGoGo page asking for donations to “Send WAM to the 137th AES Convention!” Their plea for funds was told by an endearing indie music video with lyrics like:
Help send WAM to the the AES Convention,
Where we’ll see the latest audio inventions.
The largest expo of audio professionals,
WAM’s booth will make AES more accessible.
WAM stands for Women's Audio Mission, and it is “a San Francisco-based non-profit organization dedicated to the advancement of women in music production and the recording arts.” Their page explains that “in a field where women are critically under-represented (less than 5%), WAM seeks to ‘change the face of sound’ by providing hands-on training, experience, career counseling and job placement to women and girls in media technology for music, radio, film, television and the internet. WAM believes that women's mastery of music technology and inclusion in the production process will expand the vision and voice of media and popular culture.”
Now, this was something that I could get behind.