Viewing entries tagged
SFX

HALLOWEEN SOUNDTRACK: SLASHER IN THE WOODS

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HALLOWEEN SOUNDTRACK: SLASHER IN THE WOODS

Picking up where Kate left off back in 2015, I decided to try my hand at crafting a soundtrack that evoked the spirit of slasher movies! Including all the cliche hits like chainsaws, blood curdling screams, jump-scares and spooky forests. Take a listen!

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How To Cold Call A Company: Tips and Tricks

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How To Cold Call A Company: Tips and Tricks

Cold calling a company can be intimidating and daunting. However, as you look for your first job out of school, or a new job, it is often necessary. As the Boom Box Post Office Administrator, I answer all kinds of phone calls and some leave bigger, better impressions than others. I hope to give you some real world advice to help you move your call past the receptionist and onto the next level by leaving a positive impression.

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Music Mixing Basics for TV & Film: Diegetic Music

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Music Mixing Basics for TV & Film: Diegetic Music

One of my favorite aspects of sound mixing is building up the ambient sound in the universe of each show and sculpting it all together into a cohesive sonic world. Diegetic music is one piece of the soundscape puzzle that is often misunderstood by new editors and mixers.  Diegetic means that the element exists within the world of the characters, and is able to be heard or seen by them.  This contrasts with the non-diegetic musical score, which exists outside of their world and is not heard by them.

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Layering Sound Effects: How and Why?

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Layering Sound Effects: How and Why?

It’s very rare that a sound editor will cut in a single sound effect to match a visual on screen. Usually, we’re layering multiple effects together to create something new. Why do we do this? Because the result is usually something more rich and interesting than a single effect by itself. But layering can be unnecessary and frustrating for your mixer if you don’t do it with purpose. I’d like to talk about the right and wrong ways to layer sound effects to get the most out of your editorial.

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Lunch and Learn: A Beginners Guide to Dolby Atmos and the Dolby Atmos Renderer

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Lunch and Learn: A Beginners Guide to Dolby Atmos and the Dolby Atmos Renderer

Over the past few years, Dolby Atmos has become an increasingly common format in the industry. We are starting to see more and more movies, TV shows, and albums released in Atmos. What was once originally reserved for Hollywood blockbusters, has now trickled down to smaller scale productions, animation, and even childrens content. Thanks to advancements in technology, Atmos has grown increasingly accessible. Gone are the days when Atmos was a gimmick that could only be experienced in major theaters. With new affordable products such as soundbars, Atmos has been introduced into households across the world.

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Lunch and Learn: Children’s Animation VS. Adult Animation

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Lunch and Learn: Children’s Animation VS. Adult Animation

At Boom Box Post, we have the opportunity to work on various different types of animation, ranging from children’s animation to adult animation. When it comes to animation, whether it's targeted at children or adults, sound effects have a significant impact on the overall feel and immersion. Sound plays an important factor in bringing animation to life. In this blog post, we'll delve into the fascinating world of sound effects and explore the key differences between those used in children's animation and adult animation.

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The Art of Dialogue Editing for Animated TV

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The Art of Dialogue Editing for Animated TV

Dialogue editing is an essential part of the post-production process for animated TV shows, and one we take very seriously at Boom Box Post! Clear, crisp, organized, and coherent dialogue is the bedrock of any TV show. Meticulously shaping, enhancing, and cleaning up the voice performances does wonders to breathe life into the characters as well as streamline the mixing process.

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How To Get To Know Your SFX Library

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How To Get To Know Your SFX Library

Knowing your SFX library is essential to becoming an efficient SFX editor. However, it can be quite daunting at first as there are so many different types of sound for the same object. Knowing how to read and use your SFX library to its fullest potential will greatly increase the creativity and ways to use those sounds. Our SFX Editor, Katie Jackson, sat down to teach the tips and tricks to making the most out of your SFX library.

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Answering Your Questions: Glossary of Sound Effects

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Answering Your Questions: Glossary of Sound Effects

One of our most popular blog series is Glossary of Sound Effects, of which we have done 3 parts. On the original post, we get a ton of questions asking what keywords should be used when trying to find very specific sounds. I decided to relay a few of these questions to our editorial team. I’m very curious what buzzwords they will recommend.

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Building Your Library: SFX's We've Recently Purchased!

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Building Your Library: SFX's We've Recently Purchased!

Build your library! We say it all the time in blog posts, and it's advice we always give to our interns, but this tip often raises the question: What do I buy? There are a ton of amazing commercial libraries out there to purchase. If you’re overwhelmed and unsure of what to buy, this blog post is for you!

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SFX SCAVENGER HUNT: If 2020 was a SFX, what would it be?

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SFX SCAVENGER HUNT: If 2020 was a SFX, what would it be?

Here at Boom Box Post, it is our job to bring the shows we work on to life with sound. Our editors have perfected the art of storytelling and conveying emotion through sound design. I thought it would be interesting (and mostly funny) to let the Boom Post Post team do what we do best. So I asked the question, “If 2020 was a sound effect, what would it be?” Let’s listen to the responses!

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